Anyway, according to this: In mid 1983, Fender ceased production of the Bullet and Bullet Deluxe models in the USA and began production of the new Squier Bullet models in Japan.' Which means that my model seems to be an American made model, seeing as it's supposedly a 1982 one. Hello, I just bought a used Squier Bullet Series Stratocaster, and I'm trying to purchase a replacement whammy bar and I am very confused. After searching on Ebay for a whammy bar, I see that there are several types amd I need to know the serial number of my guitar.
|Fretboard||Rosewood or Maple|
|Pickup(s)||One humbucker, two humbuckers, two single coils, or three single coils|
|Red/White, Cream/White, Red/Black|
The Fender Bullet was an electric guitar originally designed by John Page and manufactured and marketed by the Fender Musical Instruments Corporation. It was first introduced as a line of 'student' guitars to replace the outgoing Mustang and Musicmaster models.
USA Version 1 (1981)
Fender marketed two models, initially manufacture was set up offshore in Korea, but due to technical issues, such as unacceptable high actions, the guitars were recalled to the U.S.A for manufacture at the Fullerton plant.
Two models were available - The 'Bullet' ( known as The standard Bullet ) & the 'Bullet Deluxe', retailers & dealers in the USA often called the guitars 'The Bullet One' but this was never a marketing name used by Fender . These two models had a single cutaway body style similar to that of the Fender Telecaster but much closer in size to the Mustang and Duo-Sonic that the Bullet replaced, the guitar had a 21 fret rosewood neck and Telecaster-style headstock and Kluson Deluxe tuners. Similarly to preceding student models like the Mustang, Bronco and Musicmaster, cost savings were made by using less wood for the body, both guitar bodies were 1- 5/8 inches thick as opposed to the 1- 3/4 inch thickness of other Fender guitars, parts were quick to assemble and labor saving, both models had the same hardware & electrics as other Fender guitars from the same era. The standard model originally retailed at $199.00 or $249 including the vacuum formed case, cord, strap, polishing cloth & bridge adjustment wrenches. The Bullet Deluxe had a plastic pickguard with a separate, traditional hardtail bridge while the standard model featured a steel pickguard-bridge-tailpiece combo, powder coated white or black, with separate saddles for each string. Both models had 2 single coil pickups with a three-way selector switch. The pickups had the same closed pickup covers as used on the Mustang & were initially left over Mustang stock. Color options were red or ivory, with a white or black pick guards on both models. At release in 1981, the only neck option was maple with a rosewood fretboard; a maple neck with a walnut skunk stripe was introduced as an option in 1982.
USA Version 2 (1982 - 1983)
In 1982, Fender introduced a revised version of the Bullet, including two bass models. This series featured a double cutaway body similar to the Fender Stratocaster without body contouring and therefore almost the same shape as the Mustang and Duo-Sonic that the Bullet replaced. Maple was the only neck option and the headstock retained the version one telecaster profile. Due to Kluson going out of business in 1981, Fender introduced the 70's style F tuners on the 1982 Bullet range and also used the Fender logo sealed tuners on the series, both made by Schaller in W. Germany. Five models were marketed - the Bullet (standard), the Bullet One H-1, the Bullet One S-2, S-3, and H-2—in addition to the two new bass models (a regular scale 'B-34' and short scale 'B-30'). The Bullet (standard) had the patented alloy pickguard-bridge-tailpiece combo with two single coil pickups and a 3 way switch. The H-1 sported the same alloy pickguard-bridge-tailpiece combo with one humbucker pickup; it also had a coil tap button to split the humbucker to single coil. The S-2, S-3 & H-2 were marketed as Deluxe versions & had a white plastic 3-ply pickguard with a separate hardtail bridge, in 1983 a single ply pickguard was introduced with the model number S-2, S-3 or H-2 embossed on the lower horn. The S-2 had two single coil pickups & a 3-way switch, the S-3 had 3 single coil pickups & a 5-way switch, the H-2 had two humbucker pickups each with their own coil tapping button & a 3-way switch. The humbucker pickups were really two single coil pickups with alnico rod magnets side-by-side. The basses each had plastic guards and traditional bridges. They had the old Mustang bass style pickups. They differed only in scale. The popular second version Bullets were available in color options of red, ivory, brown sunburst, or walnut; black was also available but never marketed as a color option. The S-2 was notably featured in the music video for Twisted Sister's 'We're Not Gonna Take It,' used by the son of Mark Metcalf's character to blow him out of the window when the song begins. Fender ceased production of Bullet guitars at the end of 1983 and was never produced again in the USA. Production of the Bullet range moved to Japan, under the Squier name.
Fender Bullet Serial Number
Late 1983 to 1984 the Bullet manufacture was moved to Japan (SQ serial number pre-fix), these guitars were also known as 'Bullet One' in the USA by dealers & retailers, but never marketed as such. The guitars had solid wood bodies, good quality pick-ups and hardware but no longer had string through bodies. A hard tail bridge and later a six screw vintage style trem bridge was offered. The guitars featured 3 Single coils or 2 Humbucking pickups like the original USA-made 'Bullet' guitars, but steel rods were used as pole pieces with a ceramic bar magnet; the humbucker version consisted of the same paired single coil configuration as the American-made models. In 1985, 86 and 87 production was again moved, this time to Korea to reduce costs (E serial number pre-fix stamped on the neck plate). These guitars were marketed as the Squier Bullet and used plywood bodies. The neck was a rosewood board on maple and had a Strat headstock with a Telecaster style heel, three single coil pickup pattern like the Stratocaster, as well as a low cost two point tremolo. These were available in Red or Black.
In 1984/85 there was a Squier Bullet guitar model manufactured in Japan that featured a full sized Strat-style body made of solid wood. This particular Squier Bullet model is also distinguished by the fact that it featured a two pickup configuration (neck and bridge) instead of the usual three pickup, a Stratocaster style headstock with Telecaster style heel shape, jack socket located on the pickguard, 2 knobs (one volume, one tone), and a top-load hard tail or two point trem. It was offered in two colors, ivory and black.
Fisher paykel service manual will brown rice. In 1986 Squier released the contemporary HST ( Hybrid Start/Tele ) Bullet, E prefix serial on the neck plate, the guitar had a more pointy shaped telecaster style body with 3 pickups HSS configuration (Humbucker, single coil, single coil), a rosewood board on maple neck with a strat shaped headstock, no pickguard & a two pivot tremolo, this was a budget guitar aimed at the Heavy Metal market & was available in ivory or Black. This guitar had no country of origin mark, it is not known whether the guitar was made in Japan or Korea, the overall build quality is reasonably good, as the serial is an E prefix it maybe Korean as most Japanese models had the SQ prefix.
In 1989 Squier introduced a revamped version of the contemporary HST Bullet, this guitar did feature 'Made in Korea' on the headstock with an E prefix serial & is exactly the same as the guitar above but it had a strat shaped body, also available in ivory or black.
Squier introduced a new, Chinese-made Bullet Strat in 2005, sporting a built-in tremolo arm, rosewood fingerboard, and one of six body finishes (Pink, Arctic White, Daphne Blue, Fiesta Red, Brown Sunburst, or Black) with a single-ply white pickguard.
By 2015, Fender was using Squier Bullet as a line name for their lowest-priced guitars at the $150 price point. The guitars used inexpensive basswood for their bodies and reduced paint steps to the absolute minimum to keep costs under control. However, they used the same pickups and tuners as their slightly more expensive Affinity series cousins, and generally were acknowledged as good starter instruments. In 2018, Fender had done away with the vibrato bridge on the Bullet line and made its mainline Bullet guitars top-loading hardtail instruments (vibrato bridges could still be found on special production runs for stores such as Guitar Center). The Stratocaster headstocks say 'Bullet® Strat®,' while the Mustang headstocks simply have an all-black version of the Squier Mustang logo used on the more-expensive Vintage Modified instruments.
As of Summer NAMM 2018, Fender's Squier Bullet line consisted of:
- Squier Mini Strat (SSS, 22.75' short-scale)
- Squier Bullet Stratocaster (SSS, 25.5' scale)
- Squier Bullet Stratocaster (HSS, 25.5' scale)
- Squier Bullet Mustang (HH, 24' short-scale)
Fender Squier Bullet Serial Numbers
The Squier Bullet Special
From around 1999 to 2005, Fender produced a single pickup Squier Bullet Special guitar. It had a fixed, hardtail bridge, a dual-coil (humbucker) bridge pickup, one volume control, and a 21 fret rosewood fingerboard bolt on neck. The body was made out of plywood and it was made in six colors: Black, Ice Blue Metallic, Red Metallic, Cobalt Blue Metallic, Orange, and Satin Silver. The Red and Orange bodies were made with black hardware; all other colors had chrome hardware. All Bullet Specials had a 1 ply black pickguard. Most of the Squier Bullet Specials made in 2002 came with a special 20th Anniversary engraved neck plate. The logo on the headstock reads 'Squier Bullet' with no mention of 'Special'. Some 2002 versions of the black and Frost Red Metallic Squier Bullet Special are known to have the Affinity brand on the headstock as well.
All Squier Bullet Special guitars were made in Indonesia at the Cort factory. The serial numbers start with IC followed by two digits that designate the year the guitar was made. The remaining digits indicate month of production, color, and sequence. IC02xxxxxxx indicates a guitar made in 2002.
Fender also markets guitar strings under the Bullet brand. Introduced in the early 1970s, these strings differ by having cylindrical bullet-shaped ends instead of the 'ball ends' common to other manufacturers. Fender states the bullet ends create a tighter fit in the tremolo block on Stratocaster guitars, leading to greater tuning stability when the tremolo is used.  In the early 1990s Fender switched from using zinc-plated steel for the bullet ends to brass, improving sustain. Today nickel is also used. Stainless steel strings with bullet ends are also offered since the late '90s.
|Wikimedia Commons has media related to Fender Bullet.|
- Fjestad, Zachary R. (Editor), The Blue Book of Electric Guitars; (9th Edition), 2005
- Peter Bertges: The Fender Reference; Bomots, Saarbrücken 2007, ISBN978-3-939316-38-1
- Bullet® Special, Squires Guitars
- ^Chevne, Steven and Fjestad, Zachary R. (Editor), The Blue Book of Electric Guitars, (5th Edition), 1998
- ^The Original USA Fender Bullet Appreciation Page
- ^Bacon, Tony Squier Electrics: 30 Years of Fenders Budget Guitar Brand; Backbeat,1st Edition, January 1, 2012, ISBN978-1-61713-022-9
- ^'How to date Japanese, Mexican, USA, Korean, Chinese, Indonesian and Indian Squiers'. Fender Discussion Page (forum). June 12, 2007.
- ^'Fender Bullet Strings'.
Fender engineers of the early 1970s were aware that the standard ball-end string design that had prevailed until then presented very specific tuning problems, especially on tremolo-equipped guitars.
For more than four decades, Fender electric guitars and amplifiers have had a tremendous influence on the way the world composes, plays and listens to music. While guitarists in the early part of this century played country, folk or blues on acoustic guitars, in the 1930's, jazz musicians experimented with amplifying traditional hollow-body guitars so they could play with other instruments at the same sound level. One problem was that the speakers and pickups tended to generate feedback when played at a high level.
In the 1940's, a California inventor named Leo Fender had made some custom guitars and amplifiers in his radio shop. Eventually, Leo would create the world's very first instrument amplifiers with built-in tone controls.
More importantly, though, was Leo's vision of better guitar. With his knowledge of existing technologies, he knew he could improve on contemporary amplified hollow-body instruments . . . and improve upon them, he did.
In 1951, he introduced the Broadcaster, the prototype solid-body guitar that would eventually become the legendary Telecaster®. The Tele®, as it became affectionately known, was the first solid-body electric Spanish-style guitar ever to go into commercial production. Soon to follow the Tele were the revolutionary Precision Bass® guitar in 1951, and the Stratocaster® in 1954.
In 1965, because of poor health, Leo Fender sold his company to corporate giant CBS. Over the next two decades, Fender Musical Instruments experienced some tremendous growth. But as time wore on, CBS's lack of commitment and real understanding of music and musicians was becoming apparent. (1955 Ad shown, Santa Ana location)
In 1981, CBS recruited a new management team to 're-invent' Fender. William Schultz was soon named President, and was supported by associates William Mendello and Kurt Hemrich. They had developed a five-year business plan based on the idea of increasing Fender's presence in the marketplace by dramatically improving quality and making a significant commitment to research and development. This association continued until CBS decided to divest itself from the non-broadcast media business.
So, in 1985, a group of employees and investors led by William Schultz purchased the company from CBS. This sale put Fender in the hands of a small group of musically dedicated people who have committed their lives to creating the world's best guitars and amplifiers.
The team had to start from scratch - there were no buildings or machines included in the deal. They owned only the name, the patents, and the parts that were left over in stock. Supported by a core group of loyal employees, dealers and suppliers - some of whom had been with the company since Leo Fender began making guitars and amplifiers - Bill Schultz and his colleagues set out to re-build an American icon.
Initially, Fender imported their guitars from offshore manufacturers who had proven their ability to produce affordable, viable instruments. But the quest for even more control over quality soon led to the construction of Fender's flagship domestic factory in Corona, California. Eventually, Fender would build a second modern manufacturing facility in Ensenada, Baja California, Mexico, with the goal of being able to build quality instruments and offer them at more budget-oriented prices.
In 1987, Fender acquired Sunn, a storied line of amplifiers whose past endorsees have included The Who, Jimi Hendrix and The Rolling Stones. This jump-started Fender's re-entry into the amplifier business by making accessible Sunn's manufacturing facilities in Lake Oswego, Oregon. But this was still an early stage of the 'new' Fender, so Schultz put the Sunn line of amps on the shelf until the Fender name had been re-established as the world's leading amplifier.
Fender has always recognized the importance of an open-door policy for the professional musician. When artists first started requesting specific features for their guitars, they were accommodated on an individual basis. These relationships led to the formalizing of Fender's custom operation in 1987. Today, the world's greatest guitarists work with the renowned Fender Custom Shop in Corona, California, to create their dream instruments. Recently, Fender has added amplifiers to the list of custom-made instruments that can be produced at the Custom Shop in Corona.
In 1991, Fender moved its corporate headquarters from Corona to Scottsdale, Arizona. From here, administration, marketing, advertising, sales and export teams oversee the operations of Fender's satellite facilities around the world, which now include the locations in the United States (California, Tennessee, New York and Rhode Island), as well as international operations in: Ensenada, Baja California, Mexico; London, England; Dusseldorf, Germany; Suresnes, France; Brussels; Japan; Korea; and China.
Also brought to Scottsdale at this time was Fender's Amplifier and Pro Audio Research & Development. With guitar amplifiers, Fender sets the standard for sound and value. Its R & D staff has pioneered many technological advancements in developing amplifiers that meet the needs of the performing musician. In late 1992, the Amp Custom Shop was opened in Scottsdale, Arizona, to offer custom and limited editions of professional amplifiers for working musicians.
Recognizing that country music and acoustic guitars were increasing in popularity, Fender expanded upon its acoustic guitar line. In addition to working with respected manufacturers in Japan, Korea and China to produce quality acoustic guitars, the company has become the exclusive North American distributor of the prestigious Manuel Rodriguez line of nylon-stringed guitars, which have been hand-crafted in Spain by the Rodriguez family since 1905. These additions have put the company in an excellent position for growth within the acoustic guitar market.
Founded in a loft in New York City in 1952, Guild Guitar Company continues to be known for its quality instruments and exceptional value. Faced with internal financial troubles in the early 1990's, Guild management had decided to sell the company. Fender acquired Guild in 1995, signaling a return to ownership by a group of people dedicated to producing the finest value in American-made acoustic and electric guitars. Today, Guilds are still being produced at its historic, 60,000 square-foot facility in Westerly, Rhode Island.
1998 would prove to be a banner year for Fender and its subsidiaries. With Fender amplifiers once again enjoying a very strong presence in the market place, it was now time to dust off the Sunn line of amps. R&D had spent the previous three years studying the original Sunn products and developing prototype models that faithfully replicated the trademark Sunn sound. The timing was right, and Fender introduced the new Sunn line of amplifiers to an immediate industry acclaim.
And for Guild, 1998 brought the expansion of its Custom Shop in Nashville, Tennessee. First opened in 1996, the new Guild Custom Shop boasts an 8,000 square-foot , climate controlled facility near downtown Nashville that allows a great deal of extra space for production and storage of raw materials.
Guild had also introduced DeArmond guitars in 1998. Fender had purchased the DeArmond brand of musical instrument pickups in 1997, and then combined the company with Guild to produce an alternative line of high quality, affordable guitars and basses that are modeled after Guild designs. The guitars themselves are built and assembled in Korea before being sent back to Corona, where they are fitted with American-made DeArmond pickups. Following their successful test runs in European and Asian markets, DeArmond guitars were introduced to American and Canadian consumers and received instant acclaim as an exceptional value.
But the biggest event for Fender in 1998 was the opening of its new state-of-the-art manufacturing facility in Corona. The 177,000 square-foot facility was built on a nineteen acre site, with over half of that space set aside for future growth, and is the culmination of a vision that at times seemed almost impossible. The entire line of American-made Fender guitars are built at the Corona factory, which is capable of making over 350 guitars each day. In addition, the Corona facility utilizes the innovative UVOXÔ system, which combines ultraviolet light, a special scrubber process, and a carbon bed absorption system to help ensure that the air emitted from the factory is 95% clean. The new factory is not only a state-of-the-art manufacturing facility, but a tribute to how a group of dedicated individuals, when they set their minds to it, can create the 'impossible'.
The Fender Custom Shop also shares space at the new facility. Over fifty artisans now work at the Custom Shop, offering the world's finest custom made instruments to professional musicians, as well as a complete line of hand-crafted replications of classic Fender models. And to complete the Corona operation, the amplifier Custom Shop was brought back from Scottsdale and folded into the guitar Custom Shop.
Simultaneously, a new 70,000 square-foot addition was completed at the Ensenada facility. The extra space was added to bring amplifier production, aside from those produced at the Custom Shop, into one main facility.
During the past decade, Fender has grown dramatically in sales and stature. The company manufactures and distributes virtually everything that a guitarist needs to perform, from the guitar, strings and accessories, to the pro audio products including amplifiers and mixing boards. Today, under Schultz's direction, Fender Musical Instruments Corporation is a world leader in the manufacturing and distribution of electric guitars and amplifiers.
Fender became the world leader by defining the sounds we hear, meeting the needs of musicians, creating quality products and backing them up with service and stability. As Fender Musical Instruments Corporation forges through the 1990's and into the 21st century, its management team will maintain Fender's number-one status through a winning combination of business acumen and a love of music.